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U.S.A. e Jet

U.S.A. e Jet
USA E JET
(Continues)
Contributed by Saponara Leonardo 2016/1/6 - 21:49
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Er soudarded zo gùisket é ru [Ar soudarded zo gwisket e ruz]

Max Ar Fur
Er soudarded zo gùisket é ru [Ar soudarded zo gwisket e ruz]
Flav c'her, lammet em eus da zifaziañ digoradur ar bajenn-mañ hervez an disklêriadurioù az peus roet din. Evit gwir ez anaven ar c'hanaouenn-mañ e stumm Soazig hepken hervez ar bladenn “Horizons Celtiques” ha n'ouien ket e oa bet enrollet abaoe 1980 dija en ur bladenn all. Trugarez evit da geleier prizius. Kenavo ha salud!
Richard Gwenndour 2016/1/6 - 19:43
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I Fought the Law (and I Won)‎

I Fought the Law (and I Won)‎
La canzone originale di Sonny Curtis. incisa nel 1959 dai Crickets

E' stata interpretata da numerosissimi gruppi (ma la versione passata alla storia è quella dei Clash) : Widespread Panic, Richard Clapton, Ducks Deluxe, She Trinity, Beatsteaks, Viper, Bryan Adams, John Cougar Mellencamp, Johnny Cash, Bruce Springsteen, Roy Orbison, Tom Petty, Social Distortion, Stiff Little Fingers, Waylon Jennings, Gary Allan, Green Day, Alvin and the Chipmunks, Ska-P, the Jolly Boys, Grateful Dead, Stray Cats, Mary's Danish, Claude François, Mano Negra, the Big Dirty Band, Lolita No. 18, the Brian Jonestown Massacre, Attaque 77, El Noi del Sucre, Die Toten Hosen, Status Quo, Nanci Griffith, La Vida Bohème, Anti-Flag, Chumbawamba, Tsuyoshi Kawakami and His Moodmakers, the Airborne Toxic Event, The Bad Shepherds, Johnny Marr, Colin Farrell, Kris Kristofferson, The Bangles.
Per quanto riguarda le band italiane i Gang la eseguono in tutti i concerti, anche con la Banda Bassotti, Niutàun, Guacamaya, Malavida, Hombre all'ombra, l'hanno rifatta anche i Finley.
I FOUGHT THE LAW
(Continues)
Contributed by dq82 2016/1/6 - 18:52
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Blood

Blood
"Algiers refers to the anti-colonial struggle in general. The Algerian revolution was one of the first modern anti-colonial struggles and served as an inspiration for revolutionaries from Cuba to Mozambique, Oakland to Palestine. The Panthers had an office in Algiers; Eldridge and Kathleen Cleaver were exiled there in the late 60s/early 70s. In this way, the name also refers to a dissipated notion of common cause, a truly global consciousness in opposition to the elite cosmopolitanism we see today. Of course, we learned about this through a variety of secondary sources: [Gillo] Pontecorvo's film, the Sartre and Camus debate on revolutionary violence and Fanon's Toward The African Revolution. Morricone's score to The Battle Of Algiers and Pasolini's use of African-American gospel music, most notably Odetta's version of 'Sometimes I Feel Like a Motherless Child' in Il vangelo secondo Matteo,... (Continues)
Bernart Bartleby 2016/1/6 - 16:39




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