Riccardo Venturi, 24-3-2024 21:58

Originale in inglese dell'autore

Ho provato a fare una nuova versione inglese perché quella pubblicata finora mi sembrava un po' troppo letterale, ma si può ancora migliorare.

Red Dragon (L. Trans.)

djspookyjess (L. Trans.)


Leve Palestina: The Rhyme of the Undamned
The Palestine Chronicle, March 11, 2024
by Louis Brehony

Fighting the ban, Leve Palestina is simultaneously a rebellion against proscriptions, right-wing media campaigns, and the constant attack on our right to solidarity with resistance.

Cultural effects of the Zionist genocide and the Gaza Resistance have compounded this now global confrontation. The steadfastness of the displaced, besieged, bombarded and massacred has seen hospital workers and families huddle together in song and poetry, while invading soldiers dance and defile the scorched land of Palestine.

Like all other phases of the Palestinian struggle, the present is enlivened by musical anthems. The prominence of Leve Palestina (Long Live Palestine), first performed a half-century ago by Palestinian-Swedish band Kofia, made it 2023’s “song of the year,” according... (Continues)

Traducanzone di Andrea Buriani



da “Geven amol iz a shtetl” di Bella Schaechter-Gottesman

Riccardo Venturi, 6-4-2024 11:26

Riccardo Venturi, 4-4-2024 22:08

Translator’s note. This is a strictly literal translation of the song. In the motion picture The Zone of Interest, only a part of the song is heard while being played on the piano by the Polish young girl. There’s a rather free and artistic version of the verses in the subtitles, given here in a footnote.


The song, and the Holocaust survivor, behind the year’s most stunning moment in film
How Joseph Wulf’s Yiddish song ‘Sunbeams,’ composed at Auschwitz, ended up in Jonathan Glazer’s ‘Zone of Interest’
Forward, Jewish Independent Nonprofit - PJ Grisar, December 19, 2023

The Zone of Interest, Jonathan Glazer’s drama about the humdrum home life of Auschwitz commandant Rudolf Höss, starts and ends with composer Mica Levi’s chorus of shrieking voices and synthesizers that lead the viewer in and out of the hell roiling just out of frame. The sound design as... (Continues)

(Aaron Neville, Charles Neville) - 1991

Clara Sanabras
Album / Albumi: Clara & The Real Lowdown (2007)

Riccardo Venturi, 20-2-2024 10:41

Florence, Italy, 16 February 2024. A construction site for the building of yet another big, useless supermarket. A beam weighing twenty tons breaks, the construction site collapses and five workers remain under the rubble. Five more workers victims of capitalist profit: it happens every day, all over the world.

The lyrics of this song were written in 1968 by Pietro Bianconi, an Anarchist partisan who wrote a number of books about trade and workers’ struggles in the 1960/70s. The music was composed by Paolo Pietrangeli and Giovanna Marini. The song was also sung in a shorter version by Caterina Bueno for Dario Fo’s folksong show Ci ragiono e canto n° 2. Also sung by Gang in “Calibro 77” (2016).

allpoetry.com

Riku Ventturinen, 7-2-2024 20:01

La seconda strofa del video in prima pagina, caricato lupine 22 di 3:18, potrebbe essere questa.
Eventuali correzioni saranno ben accette.Grazie

da Lyrics Translate

Australia - Traditional

Un discorso di David Harris (1946-2023) che compare nell'album di Joan Baez del 1971 Carry It On, che era la colonna sonora del documentario dallo stesso titolo. Il documentario è incentrato sulla protesta e l'incarcerazione dell'allora marito di Joan Baez.

Trattandosi di un discorso e non di una canzone, non lo inseriamo come canzone autonoma.

“SOME O' THESE DAYS” è il titolo di un testo alternativo a “The Welcome Table “.
Questa versione dà bene l’idea delle molteplici strofe che possono essere cantate con questo spiritual.

da : Mudcat Cafè ,2006
Subject: Lyr. Add: SOME O' THESE DAYS
From: Q (Frank Staplin)

“River Of Jordan “ ( titolo alternativo a “ The Welcome Table “ ) nella interpretazione della Carter Family

Testo da:Boomplay Music

http://maxhunter.missouristate.edu/songinformation.aspx?ID=1285

"The welcome table" compare nella 4 strofa.

(testo di Leoncarlo Settimelli)

1972

Album: Questa Grande Umanità Ha Detto Basta! - Canzoni Di Lotta Di Tutto Il Mondo

Testo di :

I’m Gonna Sit at the Welcome Table
nella interpretazione di Hollis Watkins.
℗ 1990 Smithsonian Folkways Recordings
Sing For Freedom: The Story of the Civil Rights Movement Through Its Songs

come dal primo video " The Welcome Table " - 1:58 - della pagina iniziale.

La strofa in corsivo, dove erano presenti gli insulti, è stata edulcorata.

How to shine (Appaloosa Records, 2023)
Single record: 2023
English translation by Jono Manson and Andrea Parodi

Today, a poet died. The first verse of this song was dedicated to Shane MacGowan long before his death, the second to Helno (Noel Rot), and the third to Brendan Behan.

While my translation may not be perfect, it stands as a small tribute to a great man.

Trascrizione di Azizi Powell del testo cantato da Mike Seeger ( 1933 – 2009 ) “Stolen Soul from Africa “ , titolo alternativo di “Song of the Coffle Gang” , pubblicato da Library of Congress nel 2007 vedi :
Library of Congress

Cecilia Torres-Cáceres had written the text in September 2017, after the feminicide of Mara Castilla, a 19-year-old student killed in Puebla, Mexico, by the driver of a chauffeur-driven hire service she had turned to on her way home after a night out with friends. Castilla’s name is one of those that appear in brackets: they are all names of women victims of feminicide. In the original version, the text has no title, but today it is known as ’If I don’t come back tomorrow’ and is spoken of as a poem.