Die Moorsoldaten [Börgermoorlied; Das Moorlied]
![Die Moorsoldaten [Börgermoorlied; Das Moorlied]](img/upl/arnulfoverland.jpg)
14. Myras slaver [Myrsoldatene]: La versione norvegese di Arnulf Øverland
14. Myras slaver [Myrsoldatene]: Arnulf Øverland's Norwegian version
Il testo disponibile per questa versione è incompleto: è quel che ho potuto ricostruire sia direttamente all'ascolto, sia mediante ricerche in Rete. Esiste una registrazione del canto eseguito da un coro, Sosialistisk Kor i Oslo (“Coro Socialista di Oslo”) il 1° maggio 1978, Oslo Konserthus (arrangiamento: Sosialistisk Opplysningsforbund), nell'album Mot strømmen (“Controcorrente”):
The lyrics here available for this version are incomplete: it is what I have been able to reconstruct both by direct listening and through searching in the web. There is a recording of the song sung by a choir, Sosialistisk Kor i Oslo, on May 1, 1978, Oslo Konserthus, arranged by Oslo Sosialistisk Opplysningsforbund and recorded in the album Mot strømmen:
I versi... (Continues)
14. Myras slaver [Myrsoldatene]: Arnulf Øverland's Norwegian version
Il testo disponibile per questa versione è incompleto: è quel che ho potuto ricostruire sia direttamente all'ascolto, sia mediante ricerche in Rete. Esiste una registrazione del canto eseguito da un coro, Sosialistisk Kor i Oslo (“Coro Socialista di Oslo”) il 1° maggio 1978, Oslo Konserthus (arrangiamento: Sosialistisk Opplysningsforbund), nell'album Mot strømmen (“Controcorrente”):
The lyrics here available for this version are incomplete: it is what I have been able to reconstruct both by direct listening and through searching in the web. There is a recording of the song sung by a choir, Sosialistisk Kor i Oslo, on May 1, 1978, Oslo Konserthus, arranged by Oslo Sosialistisk Opplysningsforbund and recorded in the album Mot strømmen:
I versi... (Continues)
Bare grå og brune vidder,
(Continues)
(Continues)
Contributed by Albatross795 2021/10/29 - 13:52
Einheitsfrontlied
צו איינס, צוויי, דריי
Tsu Eins, Zwei, Drei!
Songs of the Vilna Ghetto is a compilation LP record released in 1969, featuring twelve Yiddish songs from World War II era. The songs were composed by the inmates of the Vilna Ghetto during the Holocaust and are sung by Nechama Hendel, Chava Alberstein, and Shimon Israeli with accompaniment from the CBS Israel Orchestra and Choir, conducted by Gil Aldema.
The album contains an 8-page booklet with lyrics in the Hebrew language, photographs from the ghetto, and historical information about the songs in English. According to the liner notes, the recording "was prepared by the Yitzhak Kalznelson House of the Ghetto Fighters, at Kibbutz Lochamei Hagetaot, Israel, in co-operation with the Vilna Organisation [sic] of Haifa."
(Quote from Wikipedia, the free encyclopedia)
חיפשתי הרבה את התקליט מאחר ונהגתי לשמוע אותו הרבה בנעוריי. מודה שהייתה לו... (Continues)
Tsu Eins, Zwei, Drei!
Songs of the Vilna Ghetto is a compilation LP record released in 1969, featuring twelve Yiddish songs from World War II era. The songs were composed by the inmates of the Vilna Ghetto during the Holocaust and are sung by Nechama Hendel, Chava Alberstein, and Shimon Israeli with accompaniment from the CBS Israel Orchestra and Choir, conducted by Gil Aldema.
The album contains an 8-page booklet with lyrics in the Hebrew language, photographs from the ghetto, and historical information about the songs in English. According to the liner notes, the recording "was prepared by the Yitzhak Kalznelson House of the Ghetto Fighters, at Kibbutz Lochamei Hagetaot, Israel, in co-operation with the Vilna Organisation [sic] of Haifa."
(Quote from Wikipedia, the free encyclopedia)
חיפשתי הרבה את התקליט מאחר ונהגתי לשמוע אותו הרבה בנעוריי. מודה שהייתה לו... (Continues)
עס האָט אונדז דאָס לעבן געפֿונען,
(Continues)
(Continues)
Contributed by Albatross795 2021/10/9 - 11:51
Doce Brigada
Vittorio Cao did not die in belgium ,but in luxembourg,at ARBED and he was electroquited
Ramon strainchampHe was my grand father so trust me)))))
He was married with Holtz Marguerithe and they had 4 children
Cao Giovanni dead
Cao strainchamps Suzanne dead
Cao Mario
Cao Pierre
you want to know more write me
I have the musician rights for this song also
Ramon strainchampHe was my grand father so trust me)))))
He was married with Holtz Marguerithe and they had 4 children
Cao Giovanni dead
Cao strainchamps Suzanne dead
Cao Mario
Cao Pierre
you want to know more write me
I have the musician rights for this song also
strainchamps Ramon 2022/1/8 - 18:47
Warszawianka 1905 roku [Варшавянка; La Varsovienne; ¡A las barricadas!]
![Warszawianka 1905 roku [Варшавянка; La Varsovienne; ¡A las barricadas!]](img/thumb/c6506_130x140.jpeg?1328189496)
@ Juha Rämö
Dear Juha, I have deleted the “alcoholic” title, not without a certain regret in my heart. Now that I know that I had given a version of the Varšavjanka the title of “Moonshine”, I feel very amused deep in my roots. Well, there is no Irish version of the song in this page but, in case I should find one, I could give it the title of “Poitín”...
Now I ask you a service. There's another Finnish version which seems to have originated in the US. It was recorded 1916 by the Finnish-American artist Juho Koskelo for “Työväen-Opisto” in Smithville, Minnesota. I have listened to the version and checked if it matches one of the versions already included in the site, but I got the impression that it is totally different. Of course, the recording is very old (and it is always touching to listen to something recorded 105 years ago...), and I may be wrong. The lyrics aren't to be found anywhere. Could you kindly help us solve this mystery...?
Thank you in advance, of course with a generous cup of moonshine...!
Dear Juha, I have deleted the “alcoholic” title, not without a certain regret in my heart. Now that I know that I had given a version of the Varšavjanka the title of “Moonshine”, I feel very amused deep in my roots. Well, there is no Irish version of the song in this page but, in case I should find one, I could give it the title of “Poitín”...
Now I ask you a service. There's another Finnish version which seems to have originated in the US. It was recorded 1916 by the Finnish-American artist Juho Koskelo for “Työväen-Opisto” in Smithville, Minnesota. I have listened to the version and checked if it matches one of the versions already included in the site, but I got the impression that it is totally different. Of course, the recording is very old (and it is always touching to listen to something recorded 105 years ago...), and I may be wrong. The lyrics aren't to be found anywhere. Could you kindly help us solve this mystery...?
Thank you in advance, of course with a generous cup of moonshine...!
Riccardo Venturi 2021/10/7 - 16:17
![Warszawianka 1905 roku [Варшавянка; La Varsovienne; ¡A las barricadas!]](img/upl/eloranta.jpg)
1g1. Puolan työväen marssi / Varsovalainen - 1908 / 1919
1g1. Puolan työväen marssi / Varsovalainen - 1908 / 1919
In 1908, another Warszavianka version titled Puolan työväen marssi (Polish Workers' March) was published in J. Kaikka's broadside ballad collection Työväenlauluja (Working Class Songs). In the same year, the lyrics of the song, written by an unknown author and reading »Wihurit wihaisna taas waikeroi« (Strong rushes of wind angrily moan), were published in a Social Democratic songbook and a song booklet for workers with the title Puolan veripäivien marssi (Polish Blood-Days March). Slightly altered and with one stanza added, the same lyrics were published eleven years later in Punaisen sotilaan laulukirja (A Red Soldier's Songbook, St. Petersburg, 1919) by Elvira Willman-Eloranta (1875-1925), this time with the title Varsovalainen (The Varsovian). [JR]
Nel 1908, un'altra versione... (Continues)
1g1. Puolan työväen marssi / Varsovalainen - 1908 / 1919
In 1908, another Warszavianka version titled Puolan työväen marssi (Polish Workers' March) was published in J. Kaikka's broadside ballad collection Työväenlauluja (Working Class Songs). In the same year, the lyrics of the song, written by an unknown author and reading »Wihurit wihaisna taas waikeroi« (Strong rushes of wind angrily moan), were published in a Social Democratic songbook and a song booklet for workers with the title Puolan veripäivien marssi (Polish Blood-Days March). Slightly altered and with one stanza added, the same lyrics were published eleven years later in Punaisen sotilaan laulukirja (A Red Soldier's Songbook, St. Petersburg, 1919) by Elvira Willman-Eloranta (1875-1925), this time with the title Varsovalainen (The Varsovian). [JR]
Nel 1908, un'altra versione... (Continues)
Varsovalainen
(Continues)
(Continues)
Contributed by Juha Rämö 2021/11/2 - 20:09
![Warszawianka 1905 roku [Варшавянка; La Varsovienne; ¡A las barricadas!]](img/upl/irodion.jpg)
1υ. ვარშაული [Varshauli] - La versione georgiana di Irodion Evdošvili [იროდიონ ევდოშვილი, 1901]
1υ. ვარშაული [Varshauli] - The Georgian version by Irodion Evdošvili [იროდიონ ევდოშვილი, 1901]
"The Georgian Varšavjanka [Varshauli] was translated from the Russian original by I. Edošvili in 1901, according to a Russian article. But this text was published in the revolutionary songbook "რევოლუცის სიმღერები 1923" [revolutsis singherebi 1923, "Revolutionary songs"], in which the lyrics of many revolutionary songs, such as The Internationale and La Marseillaise, were written in Georgian." [Boreč]
According to one Russian article, the Georgian version of "Варшавянка" was first written in 1901 by a Georgian communist, Irodion Evdošvili (იროდიონ ევდოშვილი, 1873-1916). He began his career as a poet in 1895, when his poems were published in a newspaper "Iveria" under the editorship of Ilia Č’avč’avadze.... (Continues)
1υ. ვარშაული [Varshauli] - The Georgian version by Irodion Evdošvili [იროდიონ ევდოშვილი, 1901]
"The Georgian Varšavjanka [Varshauli] was translated from the Russian original by I. Edošvili in 1901, according to a Russian article. But this text was published in the revolutionary songbook "რევოლუცის სიმღერები 1923" [revolutsis singherebi 1923, "Revolutionary songs"], in which the lyrics of many revolutionary songs, such as The Internationale and La Marseillaise, were written in Georgian." [Boreč]
According to one Russian article, the Georgian version of "Варшавянка" was first written in 1901 by a Georgian communist, Irodion Evdošvili (იროდიონ ევდოშვილი, 1873-1916). He began his career as a poet in 1895, when his poems were published in a newspaper "Iveria" under the editorship of Ilia Č’avč’avadze.... (Continues)
ვარშაული [1]
(Continues)
(Continues)
Contributed by Boreč 2021/11/4 - 07:15
![Warszawianka 1905 roku [Варшавянка; La Varsovienne; ¡A las barricadas!]](img/upl/iwwcat.jpg)
1g4. La versione finno-americana degli IWW (1918/1920)
1g4. The Finnish-American IWW version from 1918/1920
This section is wide, i.e., it includes no lyrics or audio links. It has been constructed only to reflect the history of the Finnish versions of Warszawianka with historical info. Please feel free to add lyrics and/or videos, if any.
La presente sezione è vuota, vale a dire non contiene né testi né audiovisuali. È stata costruita esclusivamente per riflettere la storia delle versioni finlandesi della Warszawianka, con informazioni storiche. Non esitate ad aggiungere testi e/o video, se disponibili. [RV]
The Finnish Wobblies, or members of the Industrial Workers of the World (IWW), or tuplajuulaiset (double-u'ers) as they called themselves, have a Warszawianka of their own. Titled Varsovalainen (The Varsovian) and with the first verse reading »Vihaiset vihurit vastaamme ärjyy« (Angry... (Continues)
1g4. The Finnish-American IWW version from 1918/1920
This section is wide, i.e., it includes no lyrics or audio links. It has been constructed only to reflect the history of the Finnish versions of Warszawianka with historical info. Please feel free to add lyrics and/or videos, if any.
La presente sezione è vuota, vale a dire non contiene né testi né audiovisuali. È stata costruita esclusivamente per riflettere la storia delle versioni finlandesi della Warszawianka, con informazioni storiche. Non esitate ad aggiungere testi e/o video, se disponibili. [RV]
The Finnish Wobblies, or members of the Industrial Workers of the World (IWW), or tuplajuulaiset (double-u'ers) as they called themselves, have a Warszawianka of their own. Titled Varsovalainen (The Varsovian) and with the first verse reading »Vihaiset vihurit vastaamme ärjyy« (Angry... (Continues)
Juha Rämö + RV 2021/11/4 - 11:25
![Warszawianka 1905 roku [Варшавянка; La Varsovienne; ¡A las barricadas!]](img/upl/satmarsho.jpeg)
3z. SAT-Marŝo - Marcia della Sennacieca Asocio Tutmonda (Associazione Apolide Internazionale)
3z. SAT-Marŝo - March of Sennacieca Asocio Tutmonda (World Non-national Association)
3z. SAT-Marŝo - March of Sennacieca Asocio Tutmonda (World Non-national Association)
Sennacieca Asocio Tutmonda (the World Non-national Association) is a globally based organisation for progressive people.
It’s aim is to help people from many different countries to understand each other, get informed and educated, improve their lives, and to communicate and cooperate with each other in the fight against oppression.
To enable such communication and cooperation, SAT uses the international language ESPERANTO.
SAT puts its members in direct contact with other progressive people from all around the world, it encourages the swapping of information, the comparison of ideas and enables the creation of a real functioning international solidarity.
It’s aim is to help people from many different countries to understand each other, get informed and educated, improve their lives, and to communicate and cooperate with each other in the fight against oppression.
To enable such communication and cooperation, SAT uses the international language ESPERANTO.
SAT puts its members in direct contact with other progressive people from all around the world, it encourages the swapping of information, the comparison of ideas and enables the creation of a real functioning international solidarity.
SAT-Marŝo (Varŝavjanka)
(Continues)
(Continues)
Contributed by Boreč 2021/11/23 - 01:18
![Warszawianka 1905 roku [Варшавянка; La Varsovienne; ¡A las barricadas!]](img/upl/devrimmarsi.jpeg)
3α. Devrim marşı ("Marcia rivoluzionaria") - Versione turca del 1980 di Alan Bush e Emine Engin
3α. Devrim marşı ("Revolutionary March") - Turkish version from 1980 by Alan Bush and Emine Engin
This Revolutionary March composed by Emine Engin to the melody of the Varshavianka (arranged by Alan Bush) was published in number 127 of the magazine İşçinin Sesi (The Worker's Voice) of 14 April 1980. İşçinin Sesi was an official fortnightly magazine of TKP (Türkiye Komünist Partisi, the Turkish Communist Party). Publication started in January 1974 and ended with number 474 in September 2000. This version is characterized by strong struggle and revolutionary accents, reflecting the civil war-like atmosphere of 1980 Turkey, few months before the military coup of 12 September 1980 lead by general Kenan Evren. [RV]
3α. Devrim marşı ("Revolutionary March") - Turkish version from 1980 by Alan Bush and Emine Engin
This Revolutionary March composed by Emine Engin to the melody of the Varshavianka (arranged by Alan Bush) was published in number 127 of the magazine İşçinin Sesi (The Worker's Voice) of 14 April 1980. İşçinin Sesi was an official fortnightly magazine of TKP (Türkiye Komünist Partisi, the Turkish Communist Party). Publication started in January 1974 and ended with number 474 in September 2000. This version is characterized by strong struggle and revolutionary accents, reflecting the civil war-like atmosphere of 1980 Turkey, few months before the military coup of 12 September 1980 lead by general Kenan Evren. [RV]
Devrim Marşı
(Continues)
(Continues)
Contributed by Boreč 2021/12/2 - 18:24
![Warszawianka 1905 roku [Варшавянка; La Varsovienne; ¡A las barricadas!]](img/upl/maunuksela.jpg)
2f1. Barrikadeille - La versione finlandese di Klaus Maunuksela (2016)
2f1. Barrikadeille - Klaus Maunuksela's Finnish version (2016)
La versione finlandese di Klaus Maunuksela è tratta dal volumetto Anarkistisia työväenlauluja (“Canti anarchici dei lavoratori”), curato da Nikola Kurkilahti (ed. Kolera, 2016). Qui di seguito anche una breve introduzione in finlandese.
This Finnish version of ¡A las barricadas! is reproduced from the booklet Anarkistisia työväenlauluja (“Anarchist Workers' Songs”) edited by Nikola Kurkilahti (Kolera, 2016) A short introduction in Finnish is provided below. [RV]
1936 alkoi Espanjan sisällissota, jossa taistelivat vapailla vaaleilla valitut tasavaltalaiset ja Francisco Francon kapinalliset kansallismieliset. Tasavaltalaisten puolella taisteli kom- munisteja, sosialisteja ja anarkisteja. Sen lisäksi, että vuonna 1936 taisteltiin Francon fasistisia joukkoja... (Continues)
2f1. Barrikadeille - Klaus Maunuksela's Finnish version (2016)
La versione finlandese di Klaus Maunuksela è tratta dal volumetto Anarkistisia työväenlauluja (“Canti anarchici dei lavoratori”), curato da Nikola Kurkilahti (ed. Kolera, 2016). Qui di seguito anche una breve introduzione in finlandese.
This Finnish version of ¡A las barricadas! is reproduced from the booklet Anarkistisia työväenlauluja (“Anarchist Workers' Songs”) edited by Nikola Kurkilahti (Kolera, 2016) A short introduction in Finnish is provided below. [RV]
1936 alkoi Espanjan sisällissota, jossa taistelivat vapailla vaaleilla valitut tasavaltalaiset ja Francisco Francon kapinalliset kansallismieliset. Tasavaltalaisten puolella taisteli kom- munisteja, sosialisteja ja anarkisteja. Sen lisäksi, että vuonna 1936 taisteltiin Francon fasistisia joukkoja... (Continues)
Barrikadeille
(Continues)
(Continues)
Contributed by Boreč 2021/12/5 - 00:32
Que tinguem sort
LLUÍS LLACH - Que tinguem sort - Palau Sant Jordi 18/12/2021
Lluís Llach è tornato sul palco - anche se ha chiarito che sarebbe stato solo per una volta - in un concerto tenutosi sabato 18 dicembre scorso, che ha riempito il Palau Sant Jordi di Barcellona con un pubblico 16.000 persone; un concerto destinato a raccogliere fondi per il Debat Costituent, ente di cui il cantautore catalano è membro attivo.
Nei bis questa bellissima versione di Que tinguem sort. A 14 anni di distanza dal suo ritiro dalle scene (durante gli ultimi anni Llach si è esibito pochissime volte, solo in occasioni speciali, e non ha composto nuova musica) ha offerto un concerto che molti hanno già definito memorabile.
El regreso de Lluís Llach a los escenarios por Xavier Pintanel Lluís Llach regresó a los escenarios —aunque dejó bien claro que solo por esta vez— en un concierto celebrado el pasado sábado... (Continues)
Lluís Llach è tornato sul palco - anche se ha chiarito che sarebbe stato solo per una volta - in un concerto tenutosi sabato 18 dicembre scorso, che ha riempito il Palau Sant Jordi di Barcellona con un pubblico 16.000 persone; un concerto destinato a raccogliere fondi per il Debat Costituent, ente di cui il cantautore catalano è membro attivo.
Nei bis questa bellissima versione di Que tinguem sort. A 14 anni di distanza dal suo ritiro dalle scene (durante gli ultimi anni Llach si è esibito pochissime volte, solo in occasioni speciali, e non ha composto nuova musica) ha offerto un concerto che molti hanno già definito memorabile.
El regreso de Lluís Llach a los escenarios por Xavier Pintanel Lluís Llach regresó a los escenarios —aunque dejó bien claro que solo por esta vez— en un concierto celebrado el pasado sábado... (Continues)
2021/12/25 - 23:23
Dende que Franco e Falanxe
Il titolo corretto (e effettivamente cantato da Margot, come si può ascoltare nel video) è "Dende que Franco e Falanxe" e non "Desde que Franco e Falanxe" dato che in galiziano si dice proprio "dende" e non "desde" come in castigliano.
Lorenzo 2021/12/17 - 22:00
Delia
Nessuno discute il sommo poeta Pablo Neruda ma su di lui c'è un'ombra. Al tempo che incontrò Delia del Carril Iraeta a cui questa lirica è rivolta (...tra tante foglie dell'albero della vita, la tua presenza nel fuoco, la tua virtù di rugiada: una colomba nel vento rabbioso") lui era sposato con una banchiera olandese, Maria Antonieta Hagenaar (detta Maruca) e aveva una figlia, Malva Marina Trinidad Reyes, appena nata. Purtroppo la bambina era nata idrocefalica: non parlava, non camminava ed era destinata a morire. Il giorno 8-11-1936 Neruda la vide per l'ultima volta poichè abbandonò a Montecarlo lei e la madre senza un soldo e fuggì con Delia prima a Barcellona e poi a Parigi. La sfortunata bambina venne in seguito abbandonata anche dalla madre, adottata dopo pochi anni morì. In seguito Neruda sposò la comunista argentina Delia del Carril Iraeta che lo avviò agli ideali marxisti.
Flavio Poltronieri 2021/12/7 - 01:11
El Ejército del Ebro
Anonymous
Piosenka o armii Ebro (Aj Karmela)
(Continues)
(Continues)
Contributed by Boreč 2021/11/8 - 23:57
Décimas para el Guernica
"lasciateci que la sutura della paura la cucia (sia cucita per) l´arte.
"let the suture of the fear be sewn by art"
"let the suture of the fear be sewn by art"
Andres Romero 2021/11/5 - 01:49
Carrero voló
una piccola noticina relativa all'interrogativo posto dal grande Venturik nel testo iniziale:
"ma c'è sempre da chiedersi: chi erano e sono i veri terroristi?" (cit.)
lo stesso interrogativo se lo pone anche Edward Bond nel suo bellissimo testo teatrale "The worlds"
"ma c'è sempre da chiedersi: chi erano e sono i veri terroristi?" (cit.)
lo stesso interrogativo se lo pone anche Edward Bond nel suo bellissimo testo teatrale "The worlds"
giuseppina 2021/10/9 - 12:51
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(TRA SCONFITTE STORICHE, RIPENSAMENTI E MALUMORI)
(Gianni Sartori)
Si dice che in genere le guerre – e quelle “civili” in particolare – si combattono due volte. La prima armi alla mano, l'altra dopo. Scrivendo, riflettendo, polemizzando... e naturalmente anche mistificando o stravolgendo.
Quelle di Spagna (da1 1936 al 1939, ma solo ufficialmente; sappiamo come sia durata molto più a lungo...) non fa certo eccezione.
Da dove comincio? Forse dalla telefonata con cui Claudio Venza mi preannunciava la pubblicazione nella Biblioteca di “Spagna contemporanea” del volume “Segni della memoria – Disegnare la Guerra civile spagnola” (a cura di Felice Gambin; edizioni dell'Orso) suscitando il mio interessamento. Duplice. In quanto ho sempre seguito sia la scena fumettistica – in maniera discontinua, come quasi tutto del resto (nel CV anche una breve collaborazione... (Continues)