Brown Skin Baby (They Took Me Away)

Bob Randall’s Brown Skin Baby, recorded in 1970, was one of the first songs written about the Stolen Generations. The song explores Randall’s own traumatic past of being “stolen”, echoing the voice of his mother as she cries and grieves for her “brown skin baby”. The song’s reception brought the events of the Stolen Generations to national and international audiences. It is not surprising that it quickly became an anthem for Indigenous communities (Barney & Macklinary, 2010).

The song is autobiographical. It begins by discussing Randall’s early life. As a boy, he spent the first years of his life on a farm in the Northern Territory with his family, riding a pony. Aware that he was at risk of being taken, the women in the family would apply mud to his fair skin everyday to darken the pigment (Randall, 2012). However, when he was seven, a policeman and two trackers arrived on the farm, investigating the murder of livestock. The boy was spotted swimming in the river, revealing his fair skin. The men grabbed him, placed him on a camel and took him to an institution in Alice Springs and gave him the name “Bob Randall”. He was forced to wear clothing and sleep on a bed (that reeked of urine), two activities which were completely foreign to him. Randall remained in the government’s care until he turned 20, after which he was banished for questioning the white authorities.

The song concludes as Randall identifies that he was never able to find his family – “upon this earth they never met again”. This is consistent with most stories. Throughout the assimilation policy, no records were kept of the Aboriginal nation, family name, or identity of the Aboriginal children who were stolen. In contrast to many traumatic stories from the Stolen Generations, Randall spent the rest of his life promoting and preserving Indigenous cultures and histories. He became a Yankunytjatjara Elder and a traditional owner of Uluru.

Randall’s choice of title “Brown Skin Baby” is very important in allowing him to reconcile with his own identity. Indigenous Australians have a history of racial oppression since the European colonization. As noted by Brady and Carey (2000), “for numerous Indigenous Australians, there was a sense of unbelonging”. They were “not white enough to be white” and not “black enough to be black either”. During the twentieth century, these Australians were referred to as “half-castes”. But Randall rejected this term and the repressive dualism. Instead, as suggested by Barney and Macklinary (2010), Randall chose his own term, singing about his own “brown” skin.

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